From first
concept to delivered product, I can provide full
HDV 1080i production and editing facilities.
Based around a Sony Z-1 camera, my broadcast
quality kit also comprises radio mic, basic
lighting, Glidecam and motion controlled
timelapse. Be it shooting, editing, graphics,
DVD and on-line compressions, cover design and
disc duplication, I can meet all the requirements
of corporate, music promo, educational, shorts
and documentary film making.
With over 15 years experience in the field, and
drawing from a pool of seasoned, professional
crew, your production will be overseen and
completed to a high standard, combining a wide
variety of techniques to produce a unique
visual sensibility, all at a very reasonable
cost.
Camera operating with track and
crane during FULL RANGE FILMS'
VODAPHONE shoot
Shooting HD 720p on location in the
US for the feature length
documentary MIRAGEMEN
My
video documentary CROPPIES was broadcast by
Channel 4, Carlton UK and WGBH in 1999.
“Consisting primarily of craftily edited
interviews with the movers and rakers on all
sides of the circle equation, CROPPIES is a
sympathetic, engaging and often hilarious
portrait of their insular world. As a visual
document of the crop circle circus, CROPPIES is
unbeatable.” -
FORTEAN TIMES MAGAZINE
My
audio documentary THE FIRE THIS TIME was
released by HIDDEN ART RECORDS in 2002.
"....terrifying and
timely....assembled with such originality that
it creates its own new genre ...."
- THE INDEPENDENT ON SUNDAY 5/5
On location in Paris for SMYLE
PRODUCTIONS' HD INTEL shoot
Watching playback outside the
Moulin Rouge
The showreel below was co-directed with Mike
Greenwood, and is one of three programmes
produced for Pier Productions / Open
University on the subject of 'Sacred
Spaces.'
Aside from the archive crane and
aerial shots of Stonehenge at the start, all
three pieces were produced with my production
kit, plus Glidecam and timelapse,
and were edited in-house on my home
system running Premiere and After
Effects.
Apologies for the 30 seconds of
colour bars that preceed the film -
Running time: 19:40
You can see a credit list
here, and download my
full CV
here
I
look forward to hearing from you.
With FULL RANGE FILMS' Lee Kemp
and DoP Ed Moore during the
VODAPHONE shoot
With sound recordist Andrew Rowe,
and producer/directors John Lundberg
and Mark Pilkington, during the MIRAGEMEN documentary
CAMERA
SONY Z-1PAL / NTSC HDV 1080i CAMERA w/ 2 batts
(300 min. capacity) and
EU / US
compatible charger
GLIDECAM PRO 2000
w/ SMOOTH SHOOTER arm and vest
VINTEN VISION 6
2-STAGE FLUID HEAD TRIPOD
MANFROTTO 'Baby Legs'
SONY 9020 9"
COLOUR MONITOR w/ 4 NP1 batts.
PAG AR12 auto-ranging EU/US
compatible NP1 fast charger
SONY WIRELESS
TRUE DIVERSITY RADIO MIC
WIRELESS VIDEO SEND w/ 4” LCD monitor
SENHEISER 416 MICROPHONE
BEYER MCE86
MICROPHONE
PANAMIC 6 ft. mini-boom
RYCOTE suspension w/ wind jammer and ‘dog’
LIGHTING
1 x LOWELL DP
(1000w) w/ ARRI stand
2 x LOWELL OMNI (550w US / 650w UK) w/ ARRI
stands
GELS, FROSTS,
WHITE + GOLD LASTOLITES, POLY BOARDS
EDITING
+ DVD PRODUCTION
SONY DHR 1000B DV
DECK
HP DUAL CORE
running WINDOWS XP PROFESSIONAL, ADOBE PREMIERE
6.5 + CS4 PRO, ADOBE AFTER EFFECTS, CANOPUS
PROCODER, SONIC DVD PRODUCER - 2tb EXT. HARD
DRIVES
